What is Magic?
Article
by
John Palmer
What is magic? I kept asking myself that
question, because it seemed to be awfully important. I mean, I was studying all
this spiritual stuff, and I was studying the things that made me weird, and part
of that study had to hinge on the meaning of magic.
I finally came up with my answer.
The wording of that statement is part of
the answer. I found my answer, not an answer that will necessarily work
for anyone else. You see, we’re all different; we have different thoughts,
feelings and perceptions. You might think my answer is limited, or overblown,
and you might be right… from your perspective. You might have a much better
answer for what magic is; one that is perfectly aligned with your own thoughts,
feelings and perceptions.
Keep that idea in mind even if you think
it’s wrong. It helps you to understand where I’m going here.
When I heard Widdershins was going
to have an issue devoted to kitchen witchery, the first thing I thought about
was the kitchen itself; specifically, a household kitchen versus a four-star
restaurant’s kitchen. I view kitchen witchery as being akin to a mere cook
preparing a meal in an ordinary kitchen rather than a master chef and staff
working in the restaurant. And what’s the difference?
Well, there’s a difference in the
preparation, in the presentation, in the complexity, and in the tools that are
used. A chef pays much greater attention to every step of the process, from
ingredient selection, to preparation, to presentation. Everything will be done
just so, in a way that achieves precisely the effect the chef wants. A cook is
just trying to put together a tasty meal. That is certainly one type of
difference between a master chef and crew’s best effort and a cook’s
thrown-together meal.
But in the end, nutrition is a chemical
issue. You could run all of the food through a blender, and slurp it down, and
get the same physical effects from it. Also, some days a plate of macaroni and
cheese or a bowl of chili might serve your needs better than a chef’s grand
efforts.
Magic is magic, just like food is food.
Sure, there are times when a large, intricate ritual is what you want, or need;
but there are also times when the quickly and skillfully thrown-together spell
is better suited to the situation. Those are the times when the skills of the
kitchen witch should rise to the fore.
Really, I don’t feel a person is a
complete witch if they can’t do at least a little of both, and I consider the
difference to be primarily a matter of taste and talent. Some people will
flourish in a more ceremonial environment; others can only shine in a less
structured, more free-form environment. In the end, it’s the same energy we’re
working with; it’s the same things we can accomplish. Just like it’s the nutrients
in the food that determine the effect on the body, it’s the workings of the
will that determine the effect of the magic.
Now, I grant that this is biased by my
view of what magic is. I’ve seen ceremonialists make claims of oath-bound
truths that might possibly change my mind. Until that happens, though, I can
only work with what I’m able to perceive, and that relegates magic-working to
being defined by the will.
So I can look with wonder at those who
have tables of correspondences, more elaborately scripted rituals, and long
traditions with a great deal of learning shared amongst them equally. I look at
them with wonder and can be impressed and appreciative of what they do. But I
can look with equal wonder and pride at my own workings.
I suppose it might seem strange that I
can see and appreciate a large, intricate ritual yet look at my own kitchen-witchy workings as equally worthy of pride. If so, well,
I’m sure that it helps that I work magic predominately for the things that are
part of my nature. I work magic for healing of the mind and spirit; that is
where my talents seem strongest. Perhaps if I expected something bigger and
flashier out of my magical workings, I’d have less reason to be impressed with
what I can do.
I honestly don’t know. I’ve always tried
to be realistic about magic (as oxymoronic as that might seem), so that also
affects my views. Nevertheless, I think most folks would find that they get
some pretty impressive results with their kitchen-witch work if they follow
some of the same rules that I’ve learned.
Rules of Kitchen Witchery
First, remember that magic is about the
will. When I work ritual, I’m trying to tickle my unconscious mind to set it in
accordance with my conscious will. The first rule, then, is to find the things
that do this. For me, sandalwood is a very good scent that gives a feeling of
home and hearth; cinnamon works as well. If I am blessing my home, then I’ll
burn some sandalwood or some cinnamon. I don’t care what the correspondences
are, because these will create a sense of home for me. The scent of either will
establish my purpose deep in my mind.
The second rule is a spin-off of the
first. Keep your options open. Find things that you think might work for you. I
often pick up odd pieces of wood, and when I enter a bead store (or other store
selling semi-precious stones), I can become like a kid in a candy store. I like
to have a variety of incenses around the house, and since I make candles, I
often have candles of different colors and scents at the ready. If I think a
particular type of incense or color of candle is just right for a bit of work,
then I’m likely to find it in my supplies.
The third rule might seem curious for a
kitchen witch, but for me, it’s essential. Never settle. If you don’t have
something that works for you, and you’ve searched your knick-knacks and odds
and ends and still don’t have something that works for you, it’s time to go
shopping or to run the ritual without the particular type of item you’re
missing. If I don’t have my sandalwood or cinnamon for a home blessing, I’ll go
shopping or skip the incense. Settling on something that I know in my heart
isn’t “just right” is defeating the very purpose of seeking items to focus my
will.
Let me emphasize this: I’m not saying you
shouldn’t make a substitution, and I’m not saying you shouldn’t make do with
what you have. I’m saying you shouldn’t lie to yourself, telling yourself a
tool that you don’t want to use is good enough. If you’ve rejected that wooden
spoon (“I’m casting a circle, not making soup!”), then you’re probably better
using your index finger instead of a proper wand. On the other hand, if you’ve
finally admitted that you really did leave your wand at home and realize that a
wooden spoon is the next best thing, go for it. Make positive choices when you
find yourself making a substitution: “This will work!” instead of “I guess this
will have to do.”
The fourth rule is not to reject those
who follow a more structured path. I have never found an herb or incense that
seemed especially spiritually cleansing to me, nor found one that seemed like a
good offering to friendly spirits, so I use sage for cleansing and cedar for
welcoming. They’re traditional; there’s not a darn thing wrong with that!
Just as some ceremonialists disdain
kitchen witches, some kitchen witches feel a bit of disdain for ceremonialists,
and it’s silly. As I said earlier, it’s all the same magic being worked in the end, it’s just a difference in style. So, listen to the
ceremonialists, and learn from them. Every tool that they have is one that’s
worked for someone, or it wouldn’t be part of the tradition. Maybe it’ll work
for you.
All of these rules revolve around one
central theme, of course, and that theme is to know yourself.
Learn about your own mind, your own set of feelings and your own perceptions.
The better you know yourself, the better you can sort through a pile of
knick-knacks and find tools for powerful magic, because you know what holds the
most meaning for you.
This is why I think every witch should be
at least a bit of a kitchen witch. By working with minimal tools, by having to
learn to dig a bit more deeply to find something useful, you have to learn more
about yourself, how you function and what your own specific talents and
preferences are, magically speaking. As time goes on, you may find that there
can be more power in kitchen witchery for you than there is in the deepest,
oldest, most powerful rituals. Conversely, you may find that you work better
with a stronger structure and more artwork. In either case, you will emerge
with more knowledge about yourself, the universe, and that special corner of
the universe that you can influence.
Isn’t that a large part of what all
witchcraft is about?